Дополнительные
задания к книге “Britain in Brief” В.В. Ощепковой и
И.И. Шустиловой
continued from No. 24, 2006;
1,
3,
4,
5/2007
CULTURE
Text 2. Inigo Jones and Christopher Wren
The Italian Renaissance in Britain • Inigo Jones’
Masterpieces • Classical Design • Architecture and Industrial Revolution
Inigo
Jones was the first man to bring the Italian Renaissance style to Great Britain. He
had studied in Italy for some years, and in 1615 became Surveyor-General of the works.
The style he built in was pure Italian with as few modifications as possible. His
buildings were very un-English in character, with regularly spaced columns along the
front.
His two most revolutionary designs were the Banqueting House in Whitehall and
the Queen’s House at Greenwich. The plan of the latter, completely symmetrical,
with its strict classical details and the principal rooms on the first floor, influenced
architecture in Britain. But not during the lifetime of Inigo Jones. All those who
followed him had to adapt this new foreign building technique to English ways and English
climate, English building materials and English craftsmen.
Christopher
Wren was the man who did it. He was a mathematician, an astronomer and, above all, an
inventor. He invented new ways of using traditional English building materials, brick and
ordinary roofing tiles, to keep within the limits of classical design. He, like Inigo
Jones, was appointed Surveyor-General to the Crown when he was about thirty years old, and
almost immediately he started rebuilding the churches of London, burnt down in the Great
Fire of 1666. Wren’s churches are chiefly known by their beautiful spires which show in
their structure the greatest engineering cunning.
But Wren also influenced the design of houses, both in town and in the country. The
best-known buildings designed by Wren are St. Paul’s Cathedral in London and the
Sheldonian Theatre in Oxford.
The period of the Industrial Revolution had no natural style of its own.
Businessmen wanted art for their money. The architect was to provide a facade in the
Gothic style, or he was to turn the building into something like a Norman castle, or a
Renaissance palace, or even an Oriental mosque. For theatres and opera houses the
theatrical Baroque style was often most suitable. Churches were more often than not built
in the Gothic style. The twentieth century saw great changes in Britain’s architecture.
REFERENCES
Inigo Jones Иниго Джоунз (1573–1652), выдающийся
английский архитектор
Italian Renaissance style стиль итальянского Ренес-санса
Surveyor-General of the works главный руководитель
строительных работ с неограниченными
полномочиями
the Banqueting House Банкуэтинг-Хаус (расположен на
улице Уайтхолл в Лондоне; построен в
классическом стиле в 1619–1622 гг. Иниго Джоунзом)
Greenwich Гринвич (район на юго-востоке Лон-дона)
Christopher Wren Кристофер Рен, величайший
английский архитектор (1632–1723)
the Sheldonian Theatre букв. Шелдонский театр (красивое
здание в центре Оксфорда; сооружено Кристофером
Реном в 1664–1669 гг. на средства архиепископа
Шелдона, бывшего в то время ректором
Оксфордского университета. Используется для
проведения церемоний и торжественных заседаний)
the Industrial Revolution промышленная революция в
Великобритании во второй половине XVIII – первой
половине XIX вв.
I. COMPREHENSION
1. Choose the best and most informative summary of the text. Say why you think
so.
A. This text is about the Italian Renaissance style and its influence on Britain’s
architecture.
B. This text tells the reader about the masterpieces of great English architects.
C. This text is about two great English architects, Inigo Jones and Christopher Wren, who
brought and adapted to English ways the style of the Italian Renaissance.
D. This text tells us about the rebuilding of the churches in England.
Key: C is the best
2. Who did it? Fill in the blank with the right name.
A. The style _________________ built in was pure Italian with as few modifications as
possible.
B. ___________________ was a mathematician, an astronomer, an inventor.
C. ________________ had studied in Italy for some years and in 1615 became
Surveyor-General of the works.
D. Soon after ____________________ was appointed Surveyor-General of the works he started
rebuilding the churches of London, burnt down in the Great Fire of London.
E. ______________ designed the present St. Paul’s Cathedral in London, the
Sheldonian Theatre in Oxford and many other churches and houses.
II. WORD STUDY
1. Do you know much about styles in architecture?
Style |
Elements of the style |
Italian Renaissance style |
regularly spaced columns along the front, strict
classical details, completely symmetrical, the principal rooms on the first floor, very
un-English in character |
Gothic style |
beautiful spires, which show in their structure the
greatest engineering cunning, providing a facade in this style |
Baroque style |
richly decorated; elaborately decorated elements, often
more suitable for theatres and opera houses; fashionable in the 17th and early 18th
centuries after developing in Italy |
2. Try to find any pictures of theatres, palaces or churches built in those
styles.
3. Use the words from both columns to speak about the styles.
4. Describe the style Inigo Jones used.
5. Describe the styles Christopher Wren used.
III. GRAMMAR AND TRANSLATION PRACTICE
1. Read the last paragraph of the text paying attention to one sentence with the
pattern be to do. Translate this sentence into Russian.
There are several patterns with the Infinitive following the verb be. They are other
ways of talking about the future:
A. be) to do is used to talk about official future arrangements. It is commonly
found in newspaper reports:
The Prime Minister is to visit London next month.
Премьер-министр должен (в будущем, по
предварительной договоренности, согласно
предварительно намеченному плану) посетить
Лондон в следующем месяце.
The architect was to provide a facade in the Gothic style.
Архитектор должен был (в будущем, по
предварительной договоренности с заказчиком
проекта) соорудить здание в готическом стиле.
B. (be) about to do is used to talk about something we expect to happen
in the very near future.
Ladies and gentlemen, the show is about to start.
Дамы и господа, представление вот-вот начнётся. (В
ближайшем от момента речи будущем)
C. (be) due to do This pattern is used to talk about something which is
expected to happen or arrive at a particular time.
Flight RU 111 from Berlin is due to arrive in a few minutes.
Рейс RU 111 из Берлина должен (в ближайшие минуты,
согласно расписанию) совершить посадку через
несколько минут.
2. Complete the sentences using one of the patterns.
A. The train _____________ to arrive in ten minutes.
B. She looked as if she _____________ to faint.
C. The message ______________ to be sent by E-mail.
D. A new book of this author ______________ to appear next month.
E. The film _______________ to begin.
Key: A. is/was due; B. was about; C. is/was; D. is/is due; E. is/was about
IV. COMMUNICATION PRACTICE
1. Prepare a talk on the life and work of Inigo Jones by answering the questions
below:
A. When was Inigo Jones born?
B. Why is he well-known in Great Britain and all over the world?
C. Where had he studied for some years?
E. Which were his most revolutionary designs?
F. What was the style he built in?
G. What elements and details of that style can we see in the Queen’s House at
Greenwich?
2. Prepare to give a talk on the life and work of Christopher Wren. Make
use of the questions in Task 1.
By Viktoria Oschepkova, Irina Shustilova
to be continued
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